Mccartney 3 2 1 A Chat You Would Not Forget

The new documentary miniseries McCartney 3,2,1 is a sit-down chat with Beatles icon Paul McCartney and creative music producer Rick Rubin. We get a unique glimpse into McCartney’s life through his one-on-one chats with Rubin over the course of the six episodes, and there’s a lot to cover given his revolutionary career as a famous artist.

For Beatles aficionados, one of the most fascinating elements of McCartney 3, 2, 1 is the way Rick Rubin and McCartney isolate bits of tunes to emphasise The Beatles’ intrinsic genius. A lot of pearls were disclosed regarding an all-time Beatles song, “While My Guitar Gently Weeps,” near the end of the first episode.

The band sought to make a spoof of “Maxwell’s Silver Hammer” when recording it. They accomplished this in a variety of methods, one of which was McCartney playing highly staccato bass notes, completely removing any ring. The result gave the tone a tuba-like quality, making it subversively amusing. The band used a Moog on the track to give it an alien atmosphere, and McCartney said that the company’s founder, Robert Moog, was in the Abbey Road building.

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What’s there in Mccartney 3 2 1?

Paul McCartney reminisces on his early days with John Lennon and George Harrison, offering new insight on their friendship. Paul McCartney discusses his distinctive approach to musical creation, inspirations ranging from Bach to Fela Kuti, and some of the innovations that have helped him distinguish his work.

Paul McCartney pays homage to some of The Beatles’ musical influences. He talks about the Beatles’ journey to India, as well as the evolution of their music and consciousness.

Rick Rubin and Paul McCartney discuss musical innovation and The Beatles’ desire to push boundaries. Ringo Starr and the “fifth Beatle” producer are featured in this episode. Paul McCartney discusses the growth of The Beatles’ music and identity, as well as his status in the band.

Paul McCartney and Rick Rubin talk about the progression of McCartney’s songwriting, his creative cooperation with John Lennon, and his growth as a solo artist.

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What You Should Know About Mccartney 3 2 1

Everything The Beatles composed was an experiment with fundamental rock ‘n’ roll piano chords branching out from “middle C,” according to McCartney, who may be simplifying things a little. To cover his favourite early rockers like Jerry Lee Lewis, McCartney had to learn a few different chords, and as a self-taught musician who couldn’t read or write music, he began crafting Beatles songs around the few chords he needed to know. From then, he experimented with octaves and harmonies while maintaining the framework based on the fundamentals he learnt as a youth.

This hypothesis can be heard in practically every Beatles song, as well as in John Lennon’s solo work, which includes classics like “Imagine.” McCartney recalls witnessing John Legend do similar variations on these fundamental, seemingly simple chords at a concert. Even McCartney’s cheeky performance of “Let It Be” for Rubin follows this same guiding concept.

mccartney 3 2 1

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Did You Know The Beatles were classically-inspired?

The Beatles attempted to establish their sound by “adding a rhythm to Bach’s music,” as McCartney described it. Obviously, the Beatles were not a classical band, but they tried to capture the composer’s emotional chords and climactic climaxes in their music. McCartney was drawn to Bach’s music because of its mathematical nature, and he offers “Eleanor Rigby” as an example of how the chords advance throughout the song, with double-time notes layered on top of the chords.

Given the string suite the band used, which can be linked back to their classical origins, that song is a particularly great example. The piano line was originally written in a rock ‘n’ roll manner by McCartney, but George Martin demonstrated how the strings would be arranged with a cello, viola, and violin.

Martin orchestrated the song, and his arrangement was so good that McCartney chose not to use any piano on it. McCartney created the staccato string direction in an attempt to copy his favourite composers.

While preparing to record Band on the Run, McCartney was a big fan of tenor guitars. His record label, EMI, had studios all around the world, and he chose Lagos because of the vibrant music scene there at the time. A couple members of the band phoned McCartney the day before they were scheduled to leave for Lagos to inform him that they would not be coming to record. McCartney let himself languish for a few minutes before resuming his upbeat attitude and choosing to create the record anyhow.

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Wrapping Up

If you like McCartney 3,2,1, you’ll probably appreciate The Beatles: Get Back, a three-part documentary produced by Peter Jackson that will debut on Disney+ on November 25. The series is made up of over 60 hours of never-before-seen film and chronicles the making of the legendary Beatles album Let It Be, as well as The Beatles’ final rooftop concert at London’s Savile Row.

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